Monday 31 January 2011

All you can eat

Look what google ads did for me for my birthday!!

Why not play it for yourself and see what you get?




The Carpenters - Solitaire

Saturday 29 January 2011

Disco Hoedown


Ain't gonna wait til tommorrow
I need your love RIGHT NOW
Come on and touch me
DO IT RIGHT NOW

Wednesday 26 January 2011

Hot Shot


RIP Karen Young.
What a singing talent !!
She died of a Bleeding Ulcer in 1991 at the young age of 39



Karen Young - Hot Shot

Monday 24 January 2011

Duvet Disco

DUVET DISCO by gibletsounds

Don't get up. Tuck in. Cuddle up.

Tracklist:
When We Kiss – Bardeaux
I Keep Forgetting – Michael McDonald (Andrew Clarke re-edit)
Life Time Groove – Marcos Cabral and Shux
Deetour – Karen Young
This Brutal House – Nitro DeLuxe
Don't You Want My Love – Vera
Addicted to Love – Sondra Prill
I Can't Go For That – Hall and Oates (Kati K edit)
Love Me Tonight – Fern Kinney (Channel 83 edit)
I Allways Say Yes – Glass Candy
Lucky – Donna Summer
Don and Sherri – Hot Chip
With Every Heartbeat – Robyn (KLEERUP remix)
Concentrate On Us – The Isolators
Transdance – Night Moves

Wednesday 19 January 2011

I'm an Indian too


From misogyny to racism -  "I'm an Indian too" began life as a showtune in Irving Berlin's musical "Annie Get Your Gun". It ended up sparking protests, with Native Americans picketing outside theatres. I wish I could embed a clip from the film but the only site that has it is TCM and they won't let me, so if you want to see Betty Hutton getting savage with the Sioux then follow this link

The song has an impressive gay pedigree - it was original written for Ethel Merman, Judy Garland recorded it for the film version shortly before she was fired from the starring role (there's a clip of her performance here) and mommie dearest Debbie Reynolds  performed it in a 1970's revival. 

Anyhow here's Don Armando's weird 70's mutant disco version, featuring a sexier squaw than poor old Ethel.


Don Armando's 2nd Avenue Rumba Band - I'm an Indian too

Tuesday 11 January 2011

Whip crack away!


A Doris Day film is always a welcome event; not only does it fill the cinema with customers, it fills the air with song. In this happy instance we are treated to a lively wild west musical shivaree, based on the experiences of that fabulous individualist Calamity Jane. Matching Doris' inimitable musical stylings is the virile voice of her partner, Howard Keel. His rich baritone is a splendid foil for Doris' more intimate singing. Together they present a most attractive pairing, both visually and vocally.



At the start of the film Calamity is a cross dressing savage who knows nothing about pretty things. Then actress Katie Brown comes to live in her cabin and teaches her about chintz and gingham, Calamity can now embrace her femininity. Her independence tamed, Calamity gets herself a man and the film ends happily with a double marraige.